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"Human Supervision and Control in Engineering and Music" |
| Workshop Proceedings | Orchestra Concert | Ensemble Concert | Publications |
About
us |
| Papers |
Topics |
Keywords |
| Alty |
Memory,
Compositional Space, Composition, Dual Coding Theory, Cognitive
Science,
Cognitive Psychology, Cognitive Load Theory, Creative Process, Piano,
Cognitive
Engineering, Music Analysis |
| Burstein |
Climactic Motion, Parody, Gesture, Interrelations between Movements, Similarity, Beethoven, Second Symphony, Harmonic Progression, Narrative, Music Analysis, Composition |
| Cho |
Interaction, Genetic Algorithm, Computational Intelligence, Media Manipulation, Fashion Design, Image Retrieval, Human Preference, Feature Extraction, Human-Computer Interaction, Intuition |
| Cornwell |
Takemitsu,
November Steps, Biwa, Shakuhachi, Orchestra Performance, Sound in
Silence,
Japanese Aesthetics, Score Notation, Composition, Complexity of Sounds,
Interaction between Performers |
| Fleischer |
Music Analysis, Metric Structure, Supervisory Control, Conducting, Musician, Multi-Agent System, Music Performance, Metrical Coherence |
| Inagaki |
Supervisory Control, Conducting, Orchestra Performance, Human-Interactive Computer, Task-Interactive Computer, Cooperation, Similarity, Interaction |
| Johannsen |
Composition,
Beethoven, Copland, Takemitsu, Nagashima, Human-Computer Interaction,
Supervisory Control, Human-Machine System, Gestural Control, Auditory
Supervision, Music Performance, Computer Music, Conducting, Orchestra
Performance, Multi-Agent System |
| Kretz |
Composition, Control of Timbre, Computer Music, Performance Environment, Sound Creation, Composition Tool |
| Marrin Nakra |
Hyperinstrument, Music Performance, Conducting, Gesture, Digital Baton, Conductor’s Jacket, EMG Sensor, Orchestra Performance, Gesture-Sound Mapping |
| Maruyama |
Orchestra Performance, Performance Initialization, Conducting, Interpersonal Coordination, Hand Stroke Movement, Relative Timing |
| Mazzola |
Performance
Initialization, Performance Grammar, Music Performance, Interpretation,
Mathematical Music Theory, Gesture, Semantics, Performance Field |
| Mazzola |
Music
Performance, Musical Communication, Jazz, Score Notation, Control of
Timbre,
Music Theory, Composition, Expressiveness |
| Müller |
Sound Engineering, Music Performance, Human-Machine Interaction, Mathematical Music Theory, Performance Field, Composition Tool, Performance Tool |
| Nagashima |
Nagashima,
Visional Legend, Composition, Computer Music, Multimedia Art,
Human-Media
Interaction, Computer Graphics, Sho, Composition Tool, Performance
Tool, Breath
Sensor, Japanese Aesthetics, Signal Processing, Score Notation |
| Ng |
Gesture-Synthesis
Mapping, Motion-Sound Mapping, Music via Motion, Tracking, Motion
Detection,
Dance Performance, Face Tracker System, Interactive Music Head |
| Pollack |
Copland,
Short Symphony, Interrelations between Movements, Polyrhythm, Jazz,
Orchestra
Performance, Modernist Rebellion, Score Notation, Complexity of
Rhythms,
Conducting, Composition |
| Rolland |
Music Information Retrieval, MPEG, Similarity, Standardization, User Model, Music Database, MIDI, Computational Intelligence, Human-Computer Interaction, Signal Processing, Psychoacoustics, Audio-Symbolic Transcription, Audio-Audio Matching |
| Sheridan |
Supervisory Control, Biomechanics, Conducting, Composition, Musician, Virtual Reality, Telepresence, Metaphor |
| Stahre |
Orchestra Performance, Manufacturing System, Multi-Agent System, Supervisory Control, Conducting, Automation, Wearable Information System |
| Stassen |
Supervisory
Control, Bio-Medical Engineering, Human-Machine System, Surgery,
Ethical
Aspects |
| Urbas |
Supervisory Control, Human-Machine System, Decision Making, Mental Model, Task Environment |
| Wanderley |
Gestural
Control, Gesture, Digital Musical Instrument, Human-Computer
Interaction, Sound
Synthesis, Gestural Acquisition, Signal Processing, MIDI,
Gesture-Synthesis
Mapping, Input Devices |